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Sunday, June 14th, 2009 | Author: Martin

As a follow-up to yesterdays’s post on Clients not paying, here is one from the writer’s perspective – but that one works just as well for any one who has ever worked for “deferred payment.” I’ve done that mistake as well, and of the maybe dozen (mostly short) films I’ve done that way, I ended up getting paid exactly zero times. And I have never met a single sould who did end up getting some money from a deferred payment job.

If you need the experience, you may consider working for free – just do not fall for the production assistant’s crap promising money down the line. If a film by chance should turn out to be a financial success, any self-respecting producer will immediately start a new production company, sell all rights to the film to this new company, and can rake in all profits.

And when it is time to make the next, proper budgeted, film, guess who they will not call? You. Because if you work for free, you can’t be any good, right?

Harlan Ellison with sharp, sharp teeth

Ellison is a veteran Hollywood writer, and even he get occasionally asked to do freebies. Here is an extract from the documentary “Dreams with sharp teeth

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If you are intrigued as I was, have a look at the well made trailer:

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It made me order the DVD.

Wednesday, February 27th, 2008 | Author: Martin

Mike Flynn has a very interesting post on the costs associated with producing content on Blu-Ray:

[P]roducers of industrial and non-broadcast content are required to pay a $2,500 licensing fee to author and distribute Blu-Ray. Then, each producer is required to pay a $3,000 one-time AACS license fee, plus a per-title fee for EACH replicated Blu-Ray disc. […] Sony DADC is quoting that fee at $1,585 per title […].

Then there’s the per disc replication cost, which varies by quantity, and finally, there’s a $0.04 per disc fee for AACS and $0.01 per disc if you want SONY DADC to administer the payments to AACS on your behalf.

MoneySo let’s say a small local company ordered a little presentation film, which cost $2,500 to make. They want 50 copies on HD. This would then cost: 2500+3000+1585+50*.05=over $7,000. Or over $140 per disc. And that does not include the actual replication/duplication costs.
If this should really be true, it would put an end to Blu-Ray HD distribution for small productions, even before it had a chance to start. It would cost more to distribute a program than to actually produce it.