Since I did not get my Andy Lesniak (aka. Wicked Circuits) dumb Canon mount to work properly (see previous lens mount test), and Birger Engineering is offering their Canon mount in a dumb version, I have now ordered one of those. Shipped today, and should be with me next week. Am very much looking forward to testing out thier mount. Watch this space for more info.
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With the convergence of stills- and videocameras comes the convergence of the job of photographer and cameraman. And both will start exploring the “other” medium in new, creative ways. For example making movie posters, that suddenly come to life.
Professional stills photographer Alexx Henry has put together a nice clip showing how this is done, also thanks to RED.
(via)
I finally got around testing the various adapters I bought to adapt my Carl Zeiss Contax Yashica primes to our RED. The RED has the Wicked Circuit dumb mount. All adapters work fine up to about 20 meters, but after that there is a definite difference.
All tests were done on the Zeiss 50/1.4 lens, with the aperture set to 4 and 16. No filters were used, instead faster shutter speeds were employed.
Here is the frame I took in 4k, scaled down to 25% (Click on picture for full size), further down the test you will see 100% cropped images of just the chimney (compressed to jpg in Photoshop with high quality setting) .
El Cheapo
First in line is the £5 adapter off eBay from seller big_is. Very quick and efficient delivery from Hong Kong. Fits nicely. Fairly soft on infinity.
Holds fairly well at f16.
Bad at 4.
Conclusion: if you are on a budget, and either only shoot closer subjects or have plenty of light, this is an acceptable adapter.
DVD Technik
Next in line is the adapter from DVD Technik in the Ukraine at about $35. Has a very nice quality feel to it, and sist very tight on the lens. Best to be fitted once onto the lens, and left in place. Also quite tight once connected to the camera; downside is that it takes a bit longer to change lenses, but they do sit more tightly.
Disappointing at f16.
Appaling at f4.
Conclusion: Not really an option.
Confirm Adapter
Fianally the most expensive option at $85 from Happypage in Hongkong, an adapter with built-in autofocus confirm chip. Happypage offers the option of getting that chip programmed to your specific lens, which is a nice option when you want to use your lenses on a Canon EOS stills camera. Since the RED is thankfully a fully manual camera, I could not test this extra functionality.
At first the adapter would not fit. After an e-mail to happypage they immedeatly sent off a second adapter without any cost to me. The adapter arrived, but would not fit either. This suggests that the Wicked Circuit adapter might be slightly off, since happypage has only happy curstomers. Anyway, using my Dremel drill, I managed to get the adapter to fit into the RED – again, very tight, but not as tight as the DVD Technik one, and run the tests.
Happypage advertizes the fact that their adapters are a fraction of a millimitre thinner than their competitors, and claims that this helps with the focus on infinity. Let’s see how this holds up to reality.
Me likes at f16.
A Bit disappointing at f4.
Conclusion: Clearly the winner.
Conclusion
As so often, if you want quality, you have to pay for it. Interesting though that the by far cheapest option was not the by far worst one.
Also it seems that I still have problems with the back-focus on the Wicked Circuit adapter. My guess is that if that should ever get sorted out (or I might – gasp – order again a Birger Canon mount) the results will improve.
Looks like our Birger mount is on its way home.
Soon I’ll be able to give our Contax Zeiss lenses a proper try.
And my new laptop from Apple (MBP 2.8ghz Intel Duo, 4gig – my first Intel Mac) is also on its way, enabling me to work R3D files on the road.
Exciting times. All puzzle pieces are coming together.
While our wax printer was away for repair, I bought a cheap Canon MP610 ink printer. Turns out, it also prints on DVDs, and better than our outrageously expensive Bravo II dedicated DVD printer.
A friend told me I could save buckets by getting a so-called CISS system, continuous ink supply system.

Looking on eBay, there are many different offerings, all from cheap Asian to custom-built solutions for each printer. I chose an offering from down-under rihac. Installation is just a bit complicated, but if you manage to install memory in your computer, you´ll be fine. Rihac provides an extensive installation manual, which is adapted to your specific printer model.
The result: cheap printing (did you know that drugs – the illegal type – are cheaper than printer ink?), never having to worry about which colour might run out just as an important printing job is up, and saving the environment.
Rihac uses very good ink, and I did some printouts just before installation, and afterwards, and could not see a difference. Some reviewers wrote that the Rihac ink is more light resistant than the original one.
Bottom line
If you rather spend money on film gear than ink, get yourself a quality CISS system. Search on eBay, there are many different providers. I for one can recommend the one I chose, but find out for yourself.
Happy printing.
ASC member and DP for the long-running 24 series, Rodney Charters, gave a 20+ minute interview, showing off his RED One rig that he used to travel around the world. Equipped with the Birger Canon mount (about 1.200$), he uses the Canon 16-35mm 2.8 (1.450$), the Canon 24-70mm 2.8 (1.190$) and the Canon 70-200mm 2.8 (1.190$; $1.700 with image stabilisation) lenses. From Sim Video he has a special handle (1.200$) that doubles as EVF and battery holder.
He also had some custom made handle bar system, that does not need any rods – thus shedding off a pound or two, and saving further space (sorry, no link).
The whole set fits into one smart looking bag (the Think Tank Airport Acceleration, about 200$) that can be taken onboard a plane.
The whole interview can be found on the excellent Reel Show.
Sam had some bad luck with his Canon 17-85mm lens, which retails for about 500 dollars. Rather than just throwing it away (or worse: selling it on eBay), he followed his inquisitive nature, and took the beast apart. Visit his post for more pictures.
Finally some solutions for still lenses are coming along for the Red One camera. And with it some exciting new possibilities, like simple remote focus and iris control. And image stabilization; all lenses that have IS will make for very sexy, light handheld lenses:
Found a great paper by Canon on lens theory, which also explains the common terminology used in lens construction. The paper also includes an extensive collection of graphs showing the optical resolution of all Canon lenses, both wide open and at F8.
Great resource if you have a Canon stills camera, or a Red One with the very soon forthcoming Birger mount (video link).
After it turned out that my old SLR got stolen on a recent shoot, I am now looking for a new one.
I’ve always liked Nikon, but since both cameras that were stolen from me were Nikons, I start to believe that they might have some sort of karma.
But seriously speaking, I took the chance – since both body and lenses are now gone – of looking into a different system. And here the Canon EOS 400D comes out as a very promising candidate. The natural competitor would be the Nikon D40. Here the Canon has a couple of advantages, namely
- Higher pixel count
- Self cleaning sensor
- Wider choice of lenses (as the D40 requires lenses with built-in motor)
- And, as it turns out, Canon offers some cash-back on selected equipment






